| Workshop in the History of Material Texts | |||
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Welcome to the website for the University of Pennsylvania's Workshop in the History of Material Texts! Here you can find announcements about upcoming events as well as a searchable database of seminars we have held since the Workshop began in January, 1993. (Information about talks from 1993–1995, before email records, is more thin, often limited only to speaker and date. We are very grateful to Carolyn Jacobson, who provided that information from her contemporary paper notes. If you have further information about titles or abstracts for these talks, please contact us.)
We meet each Monday on the 6th floor of Van Pelt Library at the University of Pennsylvania. We also live-stream our events via Zoom. For updates and Zoom links, please sign up for our listserv. (If you are outside the US, please email us to get on the list, as this link only works for those within the US.) Please see our YouTube channel for recordings of talks from this year and previous years. Thank you for your support and attendance!
October 19. Rita de Cássia do Monte Lima (University of Pennsylvania), “The Natural and the Strange: Seeing and Making Plants in the Schoenberg Herbal (LJS 419).” “The history of the illustrated herbal has often been told as a history of increasing naturalism: schematic and symbolic images gradually give way to accurate representations grounded in direct observation. The Schoenberg herbal (Philadelphia, University of Pennsylvania, Oversize LJS 419 Erbario), however, suggests that this narrative might be told otherwise. Produced in Northern Italy in the mid-sixteenth century, the manuscript brings together alchemical plant imagery, drawings derived from printed sources, images made after pressed plants, annotations, and an ectype. Rather than consolidating these different modes of representation into a coherent system, LJS 419 allows them to coexist. I will argue that the manuscript is not an imperfect or merely transitional step toward modern botanical representation, but evidence of a moment in which the category of the herbal itself was coming apart." Rita de Cássia do Monte Lima is a PhD student in the History of Art at the University of Pennsylvania. Her research focuses on representations of nature in sixteenth- and seventeenth-century South America and Northern Europe, with particular interest in how art contributed to early modern ways of knowing nature through representations of landscapes, herbals, hunting imagery, cabinet of curiosities, and zoological illustration. She holds a BA in Visual Arts from the Federal University of Paraíba, Brazil, and has curated exhibitions and edited their accompanying catalogues. Her publications include “Como vender o exótico: Frans Post e o mercado para o Novo Mundo” (2022). In 2026, she received the Stallybrass Prize in the History of Material Texts in the Graduate category.
The Stallybrass Prize in the History of Material Texts is awarded annually to the two best essays by students in any school at Penn—one by an undergraduate, one by a graduate student—on any aspect of how texts take material form and circulate in the world. Our field covers texts of all kinds, from printed books, manuscripts, scrolls, and tablets, to e-readers, websites, hard disks, and server farms; from illuminations, woodcuts, and engravings, to GIFs and TIFFs; from title pages, flyleaf advertisements, and dealer catalogues, to listservs and email signatures. And we are interested in printing and publishing histories, authorship, reception, piracy, censorship, and all themes related to the networks through which these texts circulate.
The Prize honors Peter Stallybrass, Walter H. and Leonore C. Annenberg Professor Emeritus of English, who founded Penn's Workshop in the History of Material Texts in 1993. The seminar has been meeting every Monday evening since then, at 5:15 in the Kislak Center, Van Pelt Library. It has been one of the most influential institutions in the field and has led to numerous similar workshops around the world. Further information about the seminar, and a link to sign up for our listserv, can be found throughout this website. All are welcome to attend. Like the Workshop itself, we encourage work that brings together the technical, material, and cultural aspects of texts. Essays will be judged by the directors of the Workshop and members of its Advisory Board, listed below. In order to be considered, submissions must be received by April 6, 2026, through this form.
Eligibility:
1) For undergraduates: essays must have been written in Spring 2025, Fall 2025, or Spring 2026 semesters; entrants must be currently enrolled at Penn.
2) For graduate students: essays must be unpublished work.
Co-Directors: Julie Nelson Davis (2026-27) ; Zachary Lesser, Edward W. Kane Professor of English (on leave, 2026-27); John Pollack, Curator, Research Services, Kislak Center
Advisory Board: Marco Aresu, Assistant Professor, Italian Studies; Jim Duffin, Assistant University Archivist; Whitney Trettien, Associate Professor, English
Congratulations to our Spring 2026 winners!
Undergraduate Category:
Winner: Iris Péron-Ames (History of Art), ““Enshrining the Word: The Shrine of the Cathach”
Graduate Category:
Winner: Rita de Cássia do Monte Lima (History of Art), "On the Edge of the Herbal: Knowledge, Images and Unmaking in the Schoenberg Herbal (LJS 419)"
See our YouTube channel for recordings of talks from this year and previous years.
